- UAD VS WAVES SSL E CHANNEL HOW TO
- UAD VS WAVES SSL E CHANNEL PROFESSIONAL
- UAD VS WAVES SSL E CHANNEL SERIES
This compressor collection gives warmness and richness to the sound.
The 176 tube compressor was first released in the 1960s. Price: 99,00 € UA 175B & 176 Tube Compressor Collection Adjust the amp tones with different microphones and placements without having any phase issues.Authentic simulation of a 1955 Fender Amplifier with zero latency.
UAD developed this plugin for a few years and this vst is promoted by Fender Musical Instruments. One of the greatest guitar amplifiers on the market for a reasonable price.
UAD VS WAVES SSL E CHANNEL PROFESSIONAL
UAD Plugins were winning over audio engineers and been a standard gear in professional studios for over 15+ years. This brand provides leading quality products. They are known due to their dedication to analog audio gear and stunning quality. This company was found back in 1958 and is still rocking today. As usual, fast attack and release settings will result in the most audible compression.UAD(Universal Audio) are the pioneers at audio recording. In this case, a more aggressive approach may be achieved with a 10:1 ratio setting, which will generate the “harder” sound often desired for drum groups. Of course, the SSL G compressor is also extremely useful on groups - such as drum busses. Use make-up gain to get a good gain match between active and bypassed. In quieter passages, little or no meter movement will occur. In most cases, setting the threshold for 1-2 dB average gain reduction is fine, with occasional transients that go beyond. Usually, this processor is meant to be used with minimal gain reduction. Use 2:1 for the most transparent sound and 10:1 for tougher, more audible sound - leaving 4:1 for everything in-between. Attack and release times allow the compressor to be “tuned” to the tempo and feel of the song to some degree, and the “Auto” setting provides a program-dependent, multi-stage release for transparency. The ratios, as well as the attack and release settings, are specially tailored for bus use, offering options for a wide variety of source material.
UAD VS WAVES SSL E CHANNEL SERIES
The SSL G Series is designed with the 2-bus in mind, and the control set adjusts the L/R simultaneously.
UAD VS WAVES SSL E CHANNEL HOW TO
How to approach the E Series’ VCA compression and Expand/Gate controls (The “black” EQ’s design changes were recommended by famed Beatles producer, George Martin.) As mentioned, each “black” band differs from the “brown” design, and the LC is a steeper 18dB per octave.
In contrast, “BLK” is the later EQ design, with the option for narrower Q as well as broader gain and frequency ranges - making it more useful for “fixative” EQ, i.e. Therefore, it’s somewhat easier to get a good, musical sound quickly, with LC (low cut) and HC (high cut) filtering operating at a gentle 12dB.
That’s because “Brown” is the original SSL design, with gentler Q, as well as smaller gain and frequency ranges. “BRN” is the recommended starting place for those unfamiliar with SSL. It is important to note that while only the LF bass knobs change color when switching EQ's, ALL EQ bands (LF, LMF, HMF HF) are affected. There are two 4-band options on the SSL E Series plug-in, referred to as “brown” and “black”. Starlight Echo Station Starlight Echo StationĪstra Modulation Machine Astra Modulation MachineĤ-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics 4-710d Four-Channel Tone-Blending Mic Preamp w/ DynamicsĪbout Find a Dealer Downloads Blog Support Log In Thunderbolt 2 Option Card Thunderbolt 2 Option Card Volt 276 Studio Pack Volt 276 Studio Pack
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